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Jennifer's Body

Jennifer's Body, the latest from 31-year-old feminist screenwriter Diablo Cody (of Juno fame), is hitting theaters September 18th and already it's causing quite the buzz. The Times ran an interesting story this weekend about how Cody and her crew tried to create a film "with both feminists and 15-year-old boys in mind." Karyn Kusama, of Girlfight, is directing and told the Times: "It may be one of the best ways for a young male audience to experience a female story without feeling like they have been limited by a female perspective."

The trailer, I have to say, is full of annoying cliches--glamorizing bisexuality, seemingly for male-benefit, dumb dudes mesmerized by evil beauty, you know the drill:

The lingering question is, were Cody and Kusama really able to subvert some of these cliches in order to make smart, feminist commentary on them, or will they just play like good ol' fashioned objectification and sexism (think all the homophobes laughing their asses off at Bruno)? Cody, who called the script a "crazy, chaotic homage" to the horror films of her youth, told the Times: "The tricky thing is if you're going to subvert those tropes, they have to be there. We were constantly bobbing and weaving. Karyn and I talk about the film as a kind of Trojan horse. We wanted to package our beliefs in a way that's appealing to a mainstream audience."

I, for one, am fascinated to see Cody and Kusama creation. Will that so-called Trojan horse cross the finish line in covert feminist style or will it resemble all the other horror flicks despite feminist intentions?

Bonus: Check out Jessica Wakeman's interview with Diablo Cody.

Posted by Courtney - September 08, 2009, at 10:00AM | in Film

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70 Comments

[0+] Author Profile Page Ian said:

The video has been removed.

I found this video instead, I don't know if its the trailer your talking about or not

http://www.youtube.com/watch?v=VYQ19JM_M1g

Oh my goodness. I just made a community post about this stupid trailer last night (I'm waiting for it to actually post).

I hate hate hate the trailer. It is soooo full of stupid stereotypes and looks like all it's trying to do is just get straight male butts in the seats by trotting out bisexuality and Megan Fox in skimpy clothes. It drives me crazy!

I was at first interested when I heard Diablo Cody was making another movie. But then I heard it involved Megan Fox who IMO can't act and then I saw this horrible sexist trailer and I've decided to skip this one. Is she trying to turn stereotypes on their head in the movie? I don't know, but the advertising lost me as a customer.

[0+] Author Profile Page rootedwillow said:

SHE'S a FEMINIST?! She had me fooled.

um yeah...sorry to break the news to you, but anyone can be a feminist and they don't necessarily have to have the same attitude and beliefs as you.

[0+] Author Profile Page rootedwillow replied to DeafBrownTrash :

"anyone can be a feminist and they don't necessarily have to have the same attitude and beliefs as you"

you know Sarah Palin is my favorite feminist

Sarah Palin actually has the right to call herself a feminist, whether you agree with her or not.

Yeah she can call herself a feminist, but that doesn't mean it's true. But you said anyone can BE a feminist...which is different from just calling yourself a feminist.

Like I can call myself an astronaut. Free speech and all. But that doesn't make it at all true.

That said, I have no idea about Diablo Cody.

I don't think this statement is really right--sure, "anyone can be a feminist" and of course they don't have to have the same beliefs as every other feminist--but aren't there certain things we can all agree are important to feminism? I think it's ridiculous to say that anything is and can be labeled feminism. Sarah Palin called herself a feminist--that's just bullshit.

yeah, and some Muslims would tell me that I'm not really a Muslim because I practice my religion differently.

YOU and anybody else DON'T have the right to tell Sarah Palin (or anyone else) that they're not a feminist.

yes, actually I do. We all have the right to our opinions--and if I think Sarah Palin is not a feminist I can say so.

[0+] Author Profile Page rootedwillow replied to DeafBrownTrash :

When you start sentences with "um yeah...sorry to break the news to you" and "for your information" you sound extremely condescending to people who are interested in reading what the OP had to say and what everyone else thinks about it. I have the right to ask if what a person does is feminist-friendly. Because apparently everything else gets torn apart on this website so why couldn't I question whether or not she is a feminist.

It's like the guy in your office who makes racist jokes but claims he has a black friend. And that doesn't cut it for me. Sorry, I call bullshit on her being a feminist.

[0+] Author Profile Page rustyspoons replied to Boodle :

Yeah, I'm with Boodles, rootedwillow, and the Palin (anti-choice) is not a feminist camp.

As for the trailer it did look like "bisexuality for mens benefit" type stuff, so there better be some hell of a twist to it is all I can say. Didn't see "Juno" but I heard from a friend that the girl runs out of a Planned Parenthood clinic all freaked out? Sure, it's someone's choice to keep a baby if they want, but I'm not going to pretend there's no subtext to something written like that.

for your information, the bisexuality was NOT in Diablo Cody's screenplay. I read that bisexuality was actually forced into the story by the studio execs cos they knew that guys would be turned on. Ugh.

Hollywood studios, in the end, always call the shots and can change the story if they want to. Cody couldn't do anything about it.

While that may make some like Cody better, I don't see how that makes the trailer or movie seem any more promising.

for your information, as you might say, that's actually not true, Cody wrote it into the script.


source:
http://www.thefrisky.com/post/246-diablo-cody-interview/

While I am skeptical about this movie, her feminist comment certainly has me intrigued enough to download it on the internet when it is released....but I sincerely hope that Diablo does have some understanding of feminism and has REAL feminism in mind, because what I predict she's actually getting at is the "man-hating/eating" feminist stereotype. Sadly, I think the feminist stereotype is embodied in Megan Fox's character. Is she really that dumb to think that a character like that would appeal to feminists? I hope not. :(

Ergo, I think this film is skewed toward her "15-year-old boys" demographic and less so to actual feminists (whom she may have had limited interaction with).

But, actually, does anyone even know if Diablo has embraced the F-word herself or know of any interview where she discusses her views on this? One would think--given Juno's strong female perspective--that she may be a feminist, but this Jennifer's Body mess indicates otherwise (assuming the film turns out to be just as I predict).

[0+] Author Profile Page mugsandpugs replied to JJ :

She discusses being a feminist in this month's copy of Bust. Here's some more info:

http://the-f-word.org/blog/index.php/2009/08/14/diablo-cody-dishes-on-new-film-feminism-body-image/

[0+] Author Profile Page clementine replied to mugsandpugs :

I really really liked that article. I was just about to post the link!

It's good that Ms. Cody and Ms. Kusama are getting movies made, but a whole lot can happen in multinational corporate movie studios (notes, no control over the final cut, marketing) before the finished product hits pubescent boys' eyes.

Given the casting and cringe-inducing trailer, you'd do better hoping that "honest to blog" became a national catchphrase.

that's what I was trying to say. I read the screenplay way before JB was in pre-production and it was actually very good. But the film's context has been changed because of the Hollywood studio system.

They always call the shots and they can make changes to the script, even if the director and screenwriter object to it.

I have mixed feelings about Diablo Cody, but I absolutely cannot stand Megan Fox. So I won't be seeing this movie, tell me how it turns out y'all.

why? What's wrong with Megan Fox? I would be very interested to hear why you can't stand her.

Every time she opens her mouth something extremely weird comes out. It could also be that her mouth reminds me of Angelina Jolie, who scares me on a visceral level.

It's nothing deep, or profound. I just don't like the lady. It happens from time to time.

[0+] Author Profile Page ElleStar replied to Ambrrr :

I love Megan Fox. I love that she speaks her mind and is biting the hand that feeds her. I love that instead of falling all over herself to praise Michael Bay (who, if I recall correctly, hired her because he liked her stomach) and Transformers, she is being honest about her experiences, both positive and negative. I love that she refuses to let people shut her up and shut her down.

She's playing the Hollywood game, but isn't letting it be invisible the way it so often is.

Fox also claims she a feminist, or at least adheres to a lot of feminism's tenets, and plays her part within the movie industry with her eyes wide open. While many would fault her for playing the game, I just love that she's so seemingly honest about it instead of denying that the game exists.

And I laugh out loud at least once during every interview of hers that I read.

I don't think that she's a feminist icon. But I do think she has the makings of one if she ever wants to be.

I'm all for Megan's ability to play the Hollywood game as well as anyone else. If that's what she's going for then good for her. I'm just saying she's not an actress I find interesting or appealing; therefore I do not like her. It's the same way I feel about Kate Hudson and Tom Cruise - I don't think they're appealing, so I don't support their films.

[0+] Author Profile Page alixana replied to Ambrrr :

She seems to be the newest trendy person to hate. I'm not sure why. Sometimes she says things that I think are moronic (like comparing the Transformers director to Hitler - really, Megan?), but from everything I've read, she also seems pretty self-aware. She's very realistic about the fact that she's sort of just a hot face in Hollywood, and that Transformers isn't exactly a vehicle that's successful because she's talented, and that she has a lot of work to do if she ever wants to improve as and be taken seriously as an actress. She seems to go back and forth a bit on expousing feminist views of beauty and objectification and celebrating the male gaze, sometimes in the very same interview, which can be confusing, but she has a lot more things of substance to say than, say, Lindsay Lohan.

The backlash against her reminds me of the backlash against Katherine Heigl - they're not kissing the asses of their bosses, and they aren't afraid to point out that Hollywood is full of BS, and since they're women, they receive astounding amounts of criticism for things that their male colleagues don't, even when their male colleagues are documented saying the same exact thing.

[0+] Author Profile Page Amanda_Stein replied to alixana :

The backlash reminds me of that as well. It's incredibly frustrating. And a lot of stories on her seem to try to find the worst possible meaning out of anything she says - even if that's not the most likely explanation. Like the Hitler thing - she basically said he wants to come off like a tyrant like Hitler on set and manages to, but off-the-set he's endearingly socially awkward. I really fail to see what everyone is getting SO worked up over that statement for. The Hitler thing is hyperbolic, but an incredibly common hyperbole - I think it's pretty obvious she didn't actually say he was as awful as Hitler. The whole statement doesn't even sound THAT critical or mean - and is pretty par for the course about what is said about most directors on-set by all the actors, from my personal experience.

[0+] Author Profile Page AgnesScottie replied to alixana :

I dislike her for comments like this:

"I have no question in my mind about being bisexual.

"But I'm also a hypocrite.

"I would never date a girl who was bisexual, because that means they also sleep with men, and men are so dirty that I'd never want to sleep with a girl who had slept with a man."

[0+] Author Profile Page TroubleBaby replied to AgnesScottie :

Here are some quotes from this month's Cosmo:

On being able to count the number of guys she’s gotten naked in front of on one hand: “I never call them guys. I always called them boys. Maybe it’s a superiority complex–my needing to keep them down.”

On women having the power in a heterosexual relationship: “Women hold the power because we have the vaginas. If you’re in a heterosexual relationship and you’re a female, you win.”

On being a firm believer in monogamy: “I have no problem with commitment–you can’t have a real relationship without it. I can flip on a switch in my brain, and even if the next Brad Pitt is standing next to me, I won’t look at him. but I can also turn that switch off, and then I collect attractive boys.”

On not going for the typical Hollywood types: “It’s fun when someone intends to put you in his back pocket, but instead, he walks away wounded. I make it a mind game so they don’t know if I’m hitting on them or mocking them. Male actors drop lines about their private jets, trying to seem powerful, but I don’t give a s—. I don’t need someone else’s power. I’m obtaining my own.”

I don't care what she says about her movies or coworkers, but "women have the power because we have the vaginas"? Give me a fucking break. And it's great her claiming that she doesn't play the Hollywood game because she has her own power...except that she doesn't. Basing all of your "power" on whether you can manipulate men with your attractiveness and get them to want you and shut them down is actually still relying on men to validate you. Same with her career. So far, she's been eye candy in Transformers, been in a lot of men's magazines, and given a bunch of really immature, ignorant interviews where she just comes off as trying too hard to convince people that she's oh so outrageous. When she does a single worthwhile thing on her own initiative, maybe I'll give her an ounce of respect. Until then, it's all just her telling "boys" how much she loves to play video games and have sex all day because she is a very sexual person who likes sex Maxim readers!

Oh and let's not forget:

“Really my only job is to look attractive. I was so angry about that, that I went in the opposite direction. I turned into a really butch bull dyke for, like, six months … Then I went in the other direction. From being a giant motorcycle-riding lesbian, I turned into a zombie. I lost, like, 30 pounds.”

That's right...deciding not to make an effort to be stereotypically feminine and "attractive" = giant motorcycle-riding butch bull dyke lesbian. What a feminist.

[0+] Author Profile Page alixana replied to TroubleBaby :

Who's calling Megan Fox a feminist? Does she have to be a feminist for us to like her? Or are you just confusing this part of the conversation with the discussion of Diablo Cody up above?

[0+] Author Profile Page TroubleBaby replied to alixana :

ElleStar stated, correctly, that Fox has claimed to be a feminist. And someone doesn't have to be a feminist for me to like them, but they do have to not be an asshole who makes the kind of sexist comments quoted above.

[0+] Author Profile Page aleks replied to alixana :

I hate Megan Fox because I hate everything about the Transformers movies. Nothing more personal than that.

i saw that trailer when partner and i went to see district 9 - phenom movie, btw.

i loved amanda seyfried in big love - this? not so much.

actually all the trailers shown during D9 were highly disappointing.

I think it's important to understand and consider the history of women in horror films before deciding whether JB is feminist. If you look at most horror films women are usually (and problematically) victims of male killers. Of course there are exceptions (Teeth, The Descent) and there is a very good theory about final girls in horror (Carol Clover). Just because Cody is turning the victim/killer binary in an opposite direction does not make it feminist. Clover also writes about coding in horror--where your gender is determined by your behavior rather than actual sex--in other words, sex proceeds from gender. So if you scream and have stereotypical "feminine" qualities you are coded female and usually die. The inverse is also true--thus the final girl (the survivor) appropriates masculinity and thus manages to survive the male killer. We'll see with Jennifer's Body--it is entirely possible that the Megan Fox character is simply coded male and thus is the killer. I'm happy Cody is writing and working in male dominated Hollywood--but I'm still skeptical about JB.

[0+] Author Profile Page msmaddy replied to Boodle :

Thank you for this explanation.

[0+] Author Profile Page lucierohan said:

"The tricky thing is if you're going to subvert those tropes, they have to be there."

I think this is a really good point. Think about the language in something like Huck Finn. In principle, you're dealing with the same balancing act.

I wouldn't want to compromise the integrity of my feminism just for the sake of making it cute and likeable, but i'm keeping my fingers crossed that Diablo will put all these images in their proper, satirical context. She's definitely walking a fine line here but all satirists do i think, and i have faith in her as a writer.

Also, in response to some people who said they're not going to see it because of the trailer, I would agree if there was no inkling that this was going to do something good, but in this case, the writer has stated a feminist intent. so I think the movie, even if it fails, is worth seeing. It's important to take note of how feminism is being characterized by mainstream feminist figures.

[0+] Author Profile Page Athenia said:

Hmmmmm.....maybe it's like Buffy except if Buffy was a villian?

Still don't like how overt and aggressive female sexuality is protrayed as evil.

However, I do appreicate the dialogue:

Needy: You're killing people!

Jennifer: I'm not killing people, I'm killing boys.

cheeses tryst, not another frickin' vampire movie!

[0+] Author Profile Page msmaddy said:

One aspect of high school films, whether horror or not, that I would like to see the last of is the negative portrayal of female relationships. Besides lonely outcasts being alone together, I cannot think of any high school movies that illustrate females supporting and even LIKING each other. Look at the "best friends" in this movie: yes, it appears Jennifer tries to kill her friend in the end, but even before that, she dominates the other girl and betrays her by stealing her boyfriend (albeit to kill him).

Sure, we all have "Queen Bee" experiences from our younger days, but surely many if not most people also had and may still have strong connections to other females?

It's like the severe absence of positive female adults in Walt Disney movies-always showing girls being catty and socially/emotionally destroying each other is an incredibly negative and simplistic way of portraying young women and does a great disservice to female high schoolers who see these media tropes and think it's the way to act.

[0+] Author Profile Page Femgineer replied to msmaddy :

For me, one ray of sunshine was "The Sisterhood of the Traveling Pants" (I haven't seen the second one).

[0+] Author Profile Page Ruth787 said:

I am disappointed in the trailer for this movie. I really enjoyed "Juno", but this looks like a pseudofeminist excuse to cast an untalented but attractive young actress in a role that seems on the surface to be subversive, but is in reality a reaffirmation of gender roles.

The intense sexualisation of the character of Jennifer makes me believe that this movie is more about exploitation than subversion. And that combined with the juvenile, almost infantile behavior of the character strikes a really creepy vibe for me...the juxtaposition of Jennifer's highly sexual behavior with her little-girl poses seems to be presenting a dangerous paradigm.

Also, "I'm not killing people, I'm killing boys"? I know they're supposed to be in high school, but didn't we outgrow "David & Goliath" t-shirts as pre-teens?

[0+] Author Profile Page Athenia replied to Ruth787 :

The reason why I find that comment interesting is that she's awknowledging she is purposefully targeting her victims by their gender.....which is exactly what happens in violence against women.

However, I suppose that's a stretch and the "15 year old boys" might not make that connection.

We also might see lots of big, strong men reduced to rag dolls in the face of death....maybe the "15 year old boys" will see that horror isn't all that fun when someone who looks like you is getting the short end of the stick?

But it's hard to say without seeing the movie.

[0+] Author Profile Page EmilyGrrl said:

Ok, to be fair, I haven't seen the trailer yet, but when I read about the cliches in the trailer, despite the fact that the film was written as feminist satire is, maybe they're just trying to pull the guys in to see it? Think about it, most of the time, if we make a feminist piece, who comes to see it? The people who already believe in its message. Methinks this is a crafty way of moving beyond preaching to the choir...?

[0+] Author Profile Page Ruth787 replied to EmilyGrrl :

I think you're probably right. It's still disappointing to me, if my impression of the trailer holds true for the movie (which I'm not saying it necessarily does--I hope it doesn't!), that Diablo Cody, who I felt wrote a pretty affirming character for young women in "Juno", would sort of succumb to the pressure of drawing the boys in and write a much more watered-down character this time.

(Not that I can discount the possibility that it's Megan Fox's performance that is squicking me out. I just think she's awful.)

[0+] Author Profile Page Terrils replied to EmilyGrrl :

And yet, if you eliminate the feminist message or water it down to the point that it's invisible, what's the point in getting nonfeminists to see it? What are they seeing except what confirms their already sexist viewpoint?

(Note: I'm saying in general - I don't know anything about the movie in question)

"Cody and her crew tried to create a film "with both feminists and 15-year-old boys in mind." Karyn Kusama, of Girlfight, is directing and told the Times: "It may be one of the best ways for a young male audience to experience a female story without feeling like they have been limited by a female perspective."

Why do we have to worry so much about 15 year old boys being "limited by a female perspective"? I was under the impression that 99.99 % of comedy, action, suspense, horror, and teen movies do a pretty thorough job of worrying about the 15 year old boys -- without anyone questioning whether or not young girls are limited by an incessant barrage of media framed from the perspective of those 15 year old boys (read: obnoxious and sexist).

If someone is going to make a "feminist" movie, you'd think one of the many characteristics of that movie would be an unapologetic focus on (and targeting of) 15 year old GIRLS.

[0+] Author Profile Page JoanOfArc said:

Honestly, I did not find Juno to be very feminist. Sure, Juno was supposed to be smart- but she got fooled by pro-life b.s. at the clinic and the writer seemed to go out of her way to portray both mom's (Juno's and the adoptive mother) as unreasonable caricatures of motherhood. So if this film is by the same writer, I'm not really excited.

Joan

[0+] Author Profile Page defrick86 replied to JoanOfArc :

To be honest I didn't view the movie that way. The character Juno made a choice for herself. It feels to me that when everybody talks about pro-choice what they are actually talking about is pro-abortion. It's not about that at all. The movie was about a person who made a decision that was correct for themselves.

Even thought I can see a little merit in studying the underlying message that cultural things have, sometimes I feel that people over blow what is going on. That is like watching Big Love and thinking that the show is promoting polygamy rather than monogamy. Rather it is just telling a story of group of people who are experiencing it. It doesn't say this is how it always happens or how it should happen. But what happened to these people.

[0+] Author Profile Page JoanOfArc replied to defrick86 :

If Juno had decided, for her own reasons, to have the baby, then fine. But don't show a supposedly smart girl being taken in by utter nonsense about fingernails (untrue at that stage anyway). If Juno had researched the procedure in a real way and said "No Thanks" then I would have thought it was great, as it would have showed women really think about their reproductive choice in a nuanced way. But my problem is not the choice that Juno made, but the reason she made it- not for reasons or convictions she herself held, but because some pro-life clinic protester lied to her.

Joan

I... don't really think it was the whole fingernail thing.

That was just one expressed reason why it did not feel 'right' to Juno.

And, on another note (after watching the trailer) -- what exactly is "feminist" about this movie? The fact that Megan Fox's character "kills boys" or that ultimately the movie comes down to a death-match between girlfriends? Seriously?

[0+] Author Profile Page alixana replied to ctraywic :

I don't think anyone can answer that without having seen the movie. I mean, the main character of Inglourious Basterds was a badass Jewish woman, but did anyone know that from the trailer? The trailer made it seem like it was a movie about Brad Pitt and his merry men and didn't even hint at the existence of the antithesis of every heroine who's worn down by a persistent suitor.

I know people who produce movie trailers for a living; they are entirely separate from the people who made the movie.

I thought in the first trailers I saw Megan Fox's character was raped and either killed and left for dead and somehow becomes possessed.

So now Jennifers Body uses sexuality to get revenge.

And then the second bunch of trailers came out and now it looks different.

[0+] Author Profile Page allieb87 replied to Steven :

You're thinking of Sorority Row.

Just checked wikipeia...

spoiler

Jennifer is sacrificed in a satanic ritual by a band that wants a record deal... and left for dead... and then uses her seductive power to kill people.

The plots to these horror shows are too formalistic... they run together.

Aren't we always bemoaning the whole "sexism for the greater good" idea? I mean, when Peta does it we have post after post after post about how horrible it is to use sexism to further your cause, even if the cause is a good one. But here, this trailer is okay because the ultimate goal might be to get 15 year old boys to see a feminist-leaning movie? No. This trailer is horrible! I cannot say well that's okay and I'll hold out judgement because the movie itself might have a good underlying message. Maybe they're just using sex and bisexuality to trick people into hearing about our message...which is really a feminist message underneath piles of sexism. It's still using "sexism for the greater good" and if it isn't okay for other groups to do this it isn't okay for feminism either. We have to hold ourselves to the same standards as we hold everyone else.

[0+] Author Profile Page lucierohan replied to llevinso :

The difference between this movie trailer and PETA ads is that PETA has never given us an "out" so to speak. PETA is very open, and proud, about using sexism to "get the job done." This movie might have an out. Satire is about manipulation. You can't turn an idea on it's head without acknowledging the audience's mindset and even, at first, validating it. At least this seems to be the basic formula for every great satire i've read and seen.

I guess I'm partly defending her method so much because I'm a comedian. I really want feminism to be part of my act and I want people from all walks of life to laugh at my feminist jokes and find the truth in them. But that's not going to happen if they feel like they're being preached to. You gotta start where THEY are, and then bring them over the line, and as Carlin said "make them happy that you did it."


Just to clarity, I'm not saying we're obligated in our personal lives
to lead every 15-year-old boy by the hand, but when you're a satirist you do take on that role. And satire is a very powerful tool. I think it changes more minds than any kind of literature. I think we should be excited by this. Of course, if it fails, or doesn't even attempt to change people's minds, some good ranting is in order.

But it seems as though people on here are saying the extreme sexual nature of the trailer and the use of bisexuality was put in in order to entice 15 year old boys into the theater. So that part isn't satire. It's just used to get the asses in the seats. Maybe other parts of the movie are trying to satirize certain ideas or whatnot, but from what I've read here and what I've seen in the trailer that is not enough of an excuse for me.

[0+] Author Profile Page lucierohan replied to llevinso :

I think it's untrue to say that pulling a trick with an advertising gimic can't contribute to the satire. In 18th century Europe, a lot of comic writers would publish books as the characters they created, coax people into reading the thing with promises of carnage and sex and blah blah blah, and then hit them with the message.


OR maybe the studio just fucked with her script and it looks nothing like what she intended it to be. But if the essence of the story is still there (again assuming the essence was feminist to begin with) then maybe hollywood's fiddling will contribute to the big, feminist finish.

This is all true. It is possible that the studio majorly fucked with the story and it is now hardly recognizable to how it was intended, if it was intended to really be feminist at all.

However, even if it does have a big feminist finish that we can kind of see, what are the chances that these 15 year old boys that they've lured into the theater with promises of girl on girl action are going to get it? Satire is only good when it is effective. Otherwise it just reinforces the same horrid stereotypes that's it's trying to deconstruct.

[0+] Author Profile Page lucierohan replied to llevinso :

that's the risk you take, i guess? I'm not sure that I have a better answer. There's always going to be people who don't get it, but that's no reason not to try. And if she is trying to get a feminist message out to 15 year old boys, she would put herself even further from reaching her goal if she made a straight forward feminist flick.

But this toss up situation we have, where it might work, it might not, is exactly the reason I would postpone judgment about it before seeing it.


[0+] Author Profile Page lucierohan replied to llevinso :

that's the risk you take, i guess? I'm not sure that I have a better answer. There's always going to be people who don't get it, but that's no reason not to try. And if she is trying to get a feminist message out to 15 year old boys, she would put herself even further from reaching her goal if she made a straight forward feminist flick.

But this toss up situation we have, where it might work, it might not, is exactly the reason I would postpone judgment about it before seeing it.


[0+] Author Profile Page lucierohan replied to lucierohan :

sorry for the double post.

[0+] Author Profile Page Sass said:

Um, when freaking Amanda Seyfried is the "plain" friend, I realise this is not the film for me.

[0+] Author Profile Page Kate S. said:

I actually think that this can very much be embraced by feminists. Yes, ok, Megan Fox is the standard Maxim-posing objectified-seeking Hollywood prototype, but that doesn't defeat the premise of the story: an ass-kicking woman who isn't a damsel in distress getting raped at every turn, and who is actually doing the destruction. And it isn't women dying this time! Women who are fucked and then brutally murdered, as is common place now in these types of flicks. Yes, I disagree with violence as entertainment (as this very much looks to be), but I can appreciate the difference of this one.

I know I'm not alone in feeling like I cannot go to a movie anymore without sitting through a rape scene (why? what the fuck does it add to the story? usually nothing except showing yet again how helpless and on the verge of rape every woman is in the eyes of Hollywood). That a movie without a woman being completely dependent on a man is hard to come by now days. And, I might add, it is female actresses that I respected taking these roles! Katherine Heigel, Drew Barrymore? Come on, ladies, stop playing the idiot woman who falls for misogynistic men who treat you like dirt! But, Megan Fox has taken a role playing a woman who is not being raped, who is not dependent on a man, who is actually the one kicking dude's asses (again, I don't agree with the violence of it, but c'mon...it's MEN being murdered helplessly! We can all take a moment to appreciate the turn of the tables!).

So, I say, kudos to Cody. She created a screenplay where a woman is strong and dominant. The entire movie is centered around two LEADING FEMALES....not men. Sure, the bi scenes might be considered pandering to the girl-on-girl fetish of prepubescent boys, but what if women think it's hot too? I mean, can we really not see how this movie might affect prepubescent GIRLS? Aren't we proud of our sexuality, and even if we are sick of seeing anorexic large breasted women flaunted as the wrong image of perfection for young women to obsess over, is there no way for us to think that women might enjoy watching?

So, that's my two cents on it. I love all the discussion surrounding this!

Based on the commercials the thing doing the killing is the thing inside of Jennifer that comes out of her mouth...

Its the demon, not her, that is bad ass.

[0+] Author Profile Page Devoted_Toucan said:

I also wouldn't consider 'Juno' to be a particularly feminist film, but her character is only 14-16 years old (I forget the exact age). Her first time pregnant, still in school, alone, frightened, unsure about what to do, braves going for an abortion...and then someone (she knows) starts yelling at her about how she's a killer, etc. - I wouldn't say she was "fooled" out of it, exactly. More like manipulated and scared out of it.

I don't think Megan Fox isn't talented. I haven't seen or read any interviews with her, so I can't comment on how her personality comes across. I know a lot of people think she's just cast in roles to attract horny males, but it's not her fault she's considered attractive. She may be classed as the "hot" girl in 'Transformers' (someone else would be if not her), but she's also the woman in this movie who is viewed as strong enough to leave her asshole boyfriend (and for someone thought of as less desirable both in his personality and his 'dorky' personality), brave enough to stand side by side with the lead guy and the soldiers of America in battle (both with evil robots and with a couple of asshole authority figures), and her character's Working Class, so a piece of my heart goes out to her (character) and her background.

Fox's clothes (chosen, I'm guessing, by someone working for Wardrobe on the set of the film) aren't that "skimpy" in the trailer. When out of the house she only has part of her stomach revealed. We do see her in her underwear, but she's in her room. Yep, it's a shame this is done mainly for some of the male audience, but some women (and men) - of all shapes and sizes - do feel comfortable enough to be in their own home, own room, when not completely covered. Even around others. There's nothing wrong with it. If our societies weren't so sexist (and perverted), we most likely wouldn't care. We wouldn't expect her to be particularly covered. Especially not in what's probably a hot American Summer setting.

As for glamorizing bisexuality - meh. Short of a Hollywood film focused on the troubles of a bisexual - which is a completely different direction/genre to 'Jennifer's Body' - movies like this are always (at least for a good while) going to be called out by some for glamorizing bisexuality. There are a few (films) which do this in a terrible, blatantly obvious way. But this? Because one of the main females is socially desirable? Why can't she just be a (randy) bisexual? Looks like the other female is going to reject her anyway (the trailer seems to imply the character 'Needy' likes 'Chip').

I'm not trying to dismiss the sexism/how Megan Fox is evidently used to promote the film, or the fact that many producers/directors/writers/whoever feel the need to cast people who they believe society think are hot, but if she were a male and the trailer was the same, what would be said then?
Can a female not be the big bad? Does she have to kill both sexes not to promote the ideas of women being man haters/eaters/etc (if she were to only kill men) and women not being able to get alone with other women (if she were to only kill women)? And can she not show sexual preference so as to avoid the film being thought of as glamorizing bisexuality or lesbian...ness, or as heterosexuality being the right sexuality? (And can't show sexual desires for the same reasons?)

I'm a big horror fan. There are hundreds of horrors. Unfortunately, this means original ideas are rare. Zombies, vampires, aliens, monsters of some kind, female and male human killers - new ideas are short these days. They're re-making old classics like 'Friday the 13th', 'Nightmare On Elm Street', and 'Halloween' - and I'm thinking it's because there's not much good material which hasn't already been covered. (I hate Rob Zombie's re-make of the first - it may be that the special effects are better because of today's technology, but the scene of sexual nature was completely unnecessary
- just did not fit with the rest of the film - and a lot more emphasis is placed on Michael's family/home life being poor, which to me is suggestive of this being the reason why he became a ruthless killer, rather than the pretty much randomness of/in the original.)
I don't think Megan Fox is meant to be a vampire in this (as someone on here said). At least not a typical one. She walks in the sunlight and opens her mouth as wide as a baby's head when about to eat people. As far as the horror field goes, this may actually have a little originality to it. (Granted, other films have otherwise human-looking creatures in which open their mouths wide and bear their considerably sharp teeth before eating somebody, yet aren't named as vampires.)
Anyway. Why I like horror movies: Women kick *pause* ass in them! Even though the majority of the time they are the target victims, and even if they aren't the main character, they are so often in horrors shown to be bad ass, brave, intelligent. More so than the men in many. 'Scream' trilogy, the 'Final Destination' movies (not sure about the latest), 'Resident Evil' films, just to name a few (of my favourites :P). 'Kill Bill'. So it'll be interesting (for me) to watch one with a female (as a non-human killer). (I'm not suggesting those to anyone; there are scenes of a sexual nature in a couple which could act as a trigger.) I really find them empowering.
Give me a female killer for a change (compared to most). Give me one who isn't heterosexual :P. Looks to me like the person brave and smart enough to stop the evil is also female. Go her. I look forward to seeing that.

Another note - yay for 'The Sisterhood of the Travelling Pants'. I love/d those books. And I agree about this movie portraying good female friendships. 'Angus, Thongs, and Full-Frontal Snogging' (or 'Angus, Thongs, and Perfect Snogging' for Americans) should also be a good movie for this, since the books (which I also loved when I was younger) are about a girl and her group of friends. 'Lost and Delirious' (about a lesbian couple in a strict all girl's boarding school). 'The Parent Trap'. 'Strike!' - There are tons of films which show female friendships in good light. There might be a couple of arguments in some, but that's realistic, not negative. Even in horrors (E.G. the 'Scream' films).
__
Hopefully this makes some sense. Been typing it over hours. Bed now.

[0+] Author Profile Page lyndalybraryan said:

I read the book (adapted from the script) for work. There are some lesbian elements (one scene mostly), but most of it was Needy's story about what Jennifer turned into and how she stopped her. Yeah, it's a bit Buffy. I didn't think it was ground-breaking action-thriller material. Didn't strike me as particularly feminist, either.

I don't know, really? Maybe there are feminist moments in this film, maybe not, but to me, a demonic, man-eating, impossibly gorgeous seductress is a clear sign of anti-feminism in a film, not feminism.

I'm also a little tired of movies geared towards mainstream, predominantly male audiences being justified with the term "satire." Kind of like how Downey's blackface in "Tropic Thunder" was "satire?" Yeah, not buying it. It's just an excuse for Hollywood to do what they want and feel better about it.

[0+] Author Profile Page lucierohan said:

Downey's role is the perfect example something being labeled satire incorrectly. Downey's character was definitely absurdist, but it's wrong to call it satire because its not like the movie was trying to combat racist views or comment on modern minstrel shows.

But that doesn't mean that there's no such thing as satire, or that satire isn't really effective when its presented to a mainstream audience and plays off of mainstream assumptions.

But I wouldn't even bother suggesting that this film might be satirical if Cody hadn't explicitly stated a feminist intent.

To be fair though, when Cody talks about feminism, she might be talking about (what i think is) a pseudo feminism that revolves around female sexual "power".

I think everyone's right to be wary of thing film, but i think Cody's promise make it more worth seeing than your run of the mill sexy succubus movie.

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