New York native Melissa Giges just released her national debut of Evident, where she sings with a soft yet almost haunting voice which conveniently matches the production of the music in the album, particularly the song, Evident. (Listen below.)
Utilizing off-key notes in the crux of a song - and making them work - come from of my favorite songs and artist, like Fiona Apple, Portishead, etc. She's no Fiona or Portis, but surely has great potential. She told us why and how feminism effects her life and music:
I grew up in a family where there weren't gender-defined roles: Mom and Dad were interchangeable as caretakers and wage earners. As a result, I simply expected to be treated with respect and equality even as I recognized that women often did not get the same treatment as men. I believe my album "Evident" reflects this mind-set, telling a story from an independent, strong woman's point of view and using music as an outlet to express--not silence--strong feelings.You might say it was serendipity that the producer of my album (and owner of Engine Company Records, the record label I am signed to) is Blake Morgan, a man steeped in the feminist tradition. The son of feminist writer, Robin Morgan, Blake insisted on making sure the album is the one I wanted to make. He used his talent to help me strengthen my viewpoints to convey my story in a way that allows listeners to be challenged by the powerful female voice. The title track "Evident" does just that. It is a song I wrote about my frustrations with not being listened to or respected in a male-dominated musical environment. "Oh it's evident that this is happening to me. I hate to think it, but it's true. Oh it's evident that you're not listening to me. ... I won't rely and I won't cry. Even while I'm scrutinized. ... I won't let this get me under."
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I want to thank Vanessa for the great posts (along with everyone else) but just wanted to mention that I was uncomfortable when you said, "She's no Fiona or Portis, but surely has great potential." I think it is slightly demeaning; it seems to be downplaying her talent because she is not as popular in the mainstream yet. I guess all I'm saying is that maybe we shouldn't compare their being good or bad against other female artists.
Yeah. I don't see the comparison with Portishead or, really, Fiona Apple. All they have in common is that they use a piano. It's like music reviewers who compare every new singer-songwriter to Bjork or Tori Amos.
I agree, it is a demeaning statement. And going off what kate said, I tend to dislike reviews that are really comparisons. I would rather read or hear about the qualities and/or deficiencies of the reviewed subject.
That aside, I really enjoyed the song. Her voice is soulful.
I sat back, closed my eyes and listened. I like. Awesome.